RIH :: Volume #9

#858: Disney princess does not need the man to save

LNMTL needs user funding to survive Read More

„let.it.go! let.it.go......” “let.it.go！let.it.go……” This song like growing the wing was the same, after " Snow and ice Big Risk » first showing, proliferated United States rapidly, by Hollywood as the radiation center, by the simple lyrics and singlish melody, spanned the difference of race and culture, became popular in the entire world instantaneously, globally had a dance upsurge. < 这首歌如同插上了翅膀一样,在《冰雪大冒险》首映之后,迅速扩散到了全美,又以好莱坞作为辐射中心,以简单的歌词和朗朗上口的旋律,跨越了种族和文化的差异,瞬间风靡全世界,在全球范围内带起了一股歌舞热潮。< A singing extremely broad good song to be not necessarily able to save a bad movie, but regarding movie quality «Snow and ice Big Risk» that has enough guarantee, «let.it.go» plays the role that adds the finishing touch absolutely, will push to has not reached the peak the dance animated film of Disney inevitably. 一首传唱度极广的好歌未必能拯救一部糟糕的电影,但对于影片质量有足够保证的《冰雪大冒险》来说,《let.it.go》绝对起到了画龙点睛的作用,势必将迪士尼的歌舞动画电影推向从未曾达到过的高峰。 The broadcasting station, network, television station and recording shop wait/etc., can hear this song everywhere. 电台、网络、电视台以及唱片店等等,随处可以听到这首歌。 The 7 or 8-year-old children, over ten -year-old youngster men and women and 20-year-old youth and even on the 30-year-old mature crowd, were idling odd/surplus Shijian to hum -let.it.go! let.it.go...... 七八岁的孩子、十多岁的少年男女、20多岁的青年乃至上了30岁的成熟人群,都在闲余时间哼唱着-let.it.go！let.it.go…… This song almost became popular in the entire world at the maximum speed, is drawing support from present developed Internet, even achieved Michael? Matter that Jackson is unable to achieve. 这首歌几乎以最快的速度风靡到了全世界,借助着如今发达的网络媒体,甚至做到了迈克尔?杰克逊都无法做到的事情。 Under the Ryan raising point, Disney naturally is prepared early, about 30 language classification «let.it.go» and ‚Karaoke version’ «Snow and ice Big Risk», after the movie screens some time, appeared before the global audience. 在瑞恩的提点下,迪士尼自然早有准备,近三十个语种的《let.it.go》和‘卡拉ok版’的《冰雪大冒险》,在影片上映一段时间后,先后出现在了全球观众面前。 It looks like the splendid picture to be the same with brainwashing Divine Comedy, all -around marketing is also «Snow and ice Big Risk» obtains the key of success. 就像是出色的画面和洗脑神曲一样,全方位的营销也是《冰雪大冒险》取得成功的关键。 Walt Disney invested so many resources on this movie, the performance of movie has not let Ryan and Disney is disappointed, the dance raging tide that especially starts, has made the professionals of Disney smell exceeded " Toy Story 3 » flavors. 华特迪士尼在这部影片上面投入了如此多的资源,影片的表现也没有让瑞恩和迪士尼方面失望,特别是掀起的歌舞狂潮,已经让迪士尼的专业人士嗅到了超越《玩具总动员三》的味道。 «Snow and ice Big Risk» has not taken " Toy Story 3 » strong explosive force of sequel movie, the box office trend exceptionally is steady. 《冰雪大冒险》没有作为续集电影的《玩具总动员三》的强大爆发力,票房走势却异常平稳。 North American first Wednesday day, «Snow and ice Big Risk» whirled away 93.93 million US dollars ; The second weekend, the movie maintained the stable and sound decline range, won the second North American box office list champion by 67.39 million US dollars. 北美首周三天,《冰雪大冒险》卷走了9393万美元;第二个周末,影片维持了稳定健康的跌幅,以6739万美元拿到了第二个北美票房榜冠军。 Is counted the previous four working days the box office. Used merely for ten days, North American box office exceeded 200 million US dollars! 算上此前四个工作日的票房。仅仅用了十天,北美票房方面就超过了2亿美元！ Meanwhile, the movie met with the aid of Disney's huge propaganda marketing the might of offensive and brainwashing Divine Comedy, made the good progress in the overseas, ten days of overseas box offices also surpassed 200 million US dollars steadily, global box office adding together reaches as high as 415.24 million US dollars! 与此同时,影片接借助着迪士尼庞大的宣传营销攻势和洗脑神曲的威力,在海外取得了不俗的成绩,十天的海外票房也稳稳超过了2亿美元大关,全球票房相加高达4亿1524万美元！ This is not the super heroic movie, but is an institute line store of value period relatively long animation lengthy picture! 要知道,这不是超级英雄电影,而是一部院线保值期相对较长的动画长片！ The quiet many years later, Disney Animation Studio welcomed the time of eruption finally. 在沉寂多年之后,迪士尼动画工作室终于迎来了爆发的时刻。 „Since Pique Studio rises, Disney Animation Studio has been in a difficult position. They are looking for themselves on diligently the most unique place are anything, oneself are representing anything, enters Disney until Ryan.” “自从皮克工作室崛起后,迪士尼动画工作室一直处于一种困境中。他们在努力找寻自己身上最独特的地方是什么,自己代表着什么,直到瑞恩进入迪士尼。” „He was clear compared with anyone, no innovation will not go forward, he in the new fairy tale reform that Disney starts, finally brought about the new hope for lethargic Disney Animation Studio, made this once the most splendid animation studio give full play to the full of vitality.” “他比谁都清楚,没有创新就不会前进,他在迪士尼掀起的新童话改革,终于为暮气沉沉的迪士尼动画工作室带来了新的希望,也让这个曾经最出色的动画工作室焕发了勃勃生机。” Perhaps " Time » on words are somewhat exaggerating, but after Ryan takes over Disney, truly promoted Disney and even the entire Hollywood regarding the deduction of again classical fairy tale. 或许《时代周刊》上的话有些夸张,但瑞恩接手迪士尼后,确实推动了迪士尼乃至整个好莱坞对于经典童话的重新演绎。 To propagandize «Snow and ice Big Risk». The running circular of Taylor world not only dubs as " let.it.go » singer and for Elsa, is preparing Ryan of new movie also to find the time, accepted Antonia specially? The interview of Kidman, further drums up support for the movie. 而为了宣传《冰雪大冒险》。不但作为《let.it.go》的演唱者和为艾尔莎配音的泰勒满世界的跑通告,就连在准备新电影的瑞恩也抽出时间,专门接受了安东尼娅?基德曼的采访,为影片进一步造势。 „Although is like all Disney movies. The love is the method of solving all problems, but the angle is different, not by actor own leading lady type ‚the kiss of real love’ dog blood plot, but is the kinship.” “虽然和所有迪士尼影片一样。爱是解决一切问题的方法,但是角度已然不同了,不是靠男主角亲女主角这种‘真爱之吻’的狗血剧情,而是亲情。” In Antonia? At Kidman talk-show. Ryan talked at length this movie. 在安东尼娅?基德曼的脱口秀节目上。瑞恩大谈特谈这部影片。 „Actually fairy tale love type of thing is not rational, but you want convincing why said the leading actor and actress to fall in love in one -and-a-half hours, moreover loved that deeply was actually a very difficult matter. Especially animated cartoon. Therefore they will rarely discuss love back rationality- for example two people fall in love for anything, why loves such deep-, but made two people fall in love directly, did not need to explain anything, can therefore very cliche.” “其实童话爱情这种东西不是理性的,而你想要令人信服的在一个半小时说出为什么男女主角相爱,而且爱的那么深其实是很难的一件事。尤其是动画片。所以它们很少会探讨爱情背后的理性-比如两人为什么相爱,为什么爱的这么深-而是直接就让两个人爱上了,也不用多解释什么,所以就会很陈词滥调。” „This piece starts from the sisters sentiment, from two people is intimate with the barrier to arrive again opens wide the reunion of heart, this sisters sentiment has passed through the ending, we can see two people to the opposite party deep love.” “本片开始就从姐妹情入手,从两人的亲近到隔阂再到敞开心扉的团聚,这种姐妹情一直贯穿到结尾,我们都可以看出两人对对方深深的爱。” „Elsa to protect Anna was suffered by oneself experiencing suffering sentiment, Anna is from beginning to end is also never-ending to oneself elder sister, to following sacrificed itself, all appear fair, how long person in two without in the past the fairy tale had not loved for that the opposite party dies ‚unfairness’.” “艾尔莎为了保护安娜而让自己受尽感情折磨,安娜也是从头到尾对自己的姐姐不离不弃,一直到后面的牺牲自己,一切都显得合情合理,没有往常童话中两个没爱多久的人就为对方死的那种‘不合理性’。” „After all, likes family's that love loving a love foundation of stranger is more reliable, this novel angle also lets this movie that seems like very princess very Disney was separated from the uncouthness of princess, had the unique flavor, is a courage that dares to innovate.” “毕竟,爱自己家庭的那种爱要比爱一个陌生人的爱根基更牢固,这种新颖的角度也让这部看似很公主很迪士尼的影片脱离了公主的俗气,有了独特的味道,也是一种敢于革新的勇气。” Waits for the Ryan voice to fall slightly, Antonia? Kidman at the right moment asking, „how do you see the two princesses in movie?” 等瑞恩的话音稍落,安东尼娅?基德曼适时的问道,“你怎么看影片中的两位公主？” These establish the good issue in advance, Ryan reply does not have any difficulty. 这些都是预先设定好的问题,瑞恩回答起来没有任何难度。 „I like Elsa's setting very much, she is not the evil villain, after does not reveal the magic carefully she escaped the wild outskirts range, but for did not harm the person, all her sorts of experiences also made her the character who the entire piece audience sympathized with, her magic froze own heart, froze Elsa and Anna of infancy to maturity two sisters segment the sisters sentiment.” “我很喜欢艾尔莎的设定,她不是邪恶的反派,在不小心流露魔法后她逃到了荒郊野岭,只是为了不伤害人,她的种种经历也让她成为全片观众最同情的人物,她的魔法不禁冻住了自己的心,同时也冻结了艾尔莎和安娜姐妹两人从小到大的这段姐妹情。” „Said Anna again, actually Disney regarding the change of role, what are more was manifests on her body, we can under the recollection in the passing Disney animated film princess's performance, can discover that they and Anna were entirely different.” “再说安娜,其实迪士尼对于角色的变化,更多的是体现在了她的身上,我们可以回想下过往迪士尼动画电影中公主的表现,就可以发现她们与安娜截然不同。” „Past Disney princess also had oneself idea, has the hope free desire. Looks, but must always have the stimulation to take the action. The small mermaid has yearned for the human live, only then falls in love with the prince and loudly quarrels to turn into the determination of human with the father ; The long hair princess has wanted to look at the Kongming lantern, only then familiar bandits and thieves delivered to her to leave the courage of family/home.” “过去的迪士尼公主也有自己的想法,有渴望自由的欲.望,但总是要有外界的刺激才能做出行动。小美人鱼一直向往人类生活,只有爱上王子并和父亲大吵一架才有变成人类的决心;长发公主一直想看孔明灯,只有一个熟悉外界的盗贼送上门才能给了她离开家的勇气。” „They have oneself goal, but they not in continuously for own goal ceaseless efforts, has not paid too many prices. This is these princesses' deficiencies, they have the idea to have the desire. Looks, actually lacks the action of essence, even the long hair princess, still needs the guidance.” “她们有自己的目标,但她们并不是在一直为自己的目标不懈努力,也没有付出太多代价。这是这些公主的不足之处,她们有想法有欲.望,却缺少实质的行动,即使是长发公主,也需要外界引导。” „Anna and they are different, her goal has been clear and tried hard, her goal did not find really loves, but wants to restore and elder sister's sentiment. Anna has been driving, has been trying hard for own goal. The elder sister has an accident, Anna has the courage alone to go ; The elder sister catches up with her to walk, she insists to remain to act as companion ; The elder sister must be killed, she acts boldly regardless of one's safety to rescue.” “安娜与她们不同,她的目标非常明确并且一直在努力,她的目标也不是找到真爱,而是想修复和姐姐的这段感情。安娜一直是主动的,一直在为自己的目标努力。姐姐出事,安娜自己一个人鼓起勇气只身前往;姐姐赶她走,她硬要留下来作伴;姐姐要被杀,她奋不顾身去救。” „From the perspective of play writing, Anna is a highly unified role, her goal is very clear, she has also paid the sweat and price for the goal, therefore the audience thought that has the sentiment to project with her very much.” “从剧本创作的角度来说,安娜是一个高度统一的角色,她的目标很清楚,她也一直为目标付出汗水和代价,因此观众觉得和她很有感情投射。” „Movie most abstains from a passive lead, if leading character do not care about the goal, why the audience does want to care? This piece also has the Disney animation most to lose face/show off in recent years **......” “电影最忌讳有一个被动的主角,因为如果主人公自己都不在乎目标,观众又为什么要在乎呢？本片也拥有迪士尼动画近些年最出彩的**……” Ryan without hesitation flattered for the affiliated movie, this movie also had the energy that made him flatter. 瑞恩毫不犹豫的为自己旗下的电影吹捧,这部影片也有让他吹捧的底气。 „Movie is the gate vision and sense of hearing unified art, this means that is not the sentiment of leading character innermost feelings defines them, but is their actions, if not this high. Action that the tide draws out, we do not know Anna, for the ideal is willing to pay many prices. She sacrificed the love, sacrificed own life, to achieve own goal. No one forces her, no one guides her, the last option is she decides!” “电影是门视觉和听觉统一的艺术,这意味着不是主人公内心的感情定义他们,而是他们的行动,如果不是本片高.潮引出的行动,我们不知道安娜为了理想愿意付出多少代价。她牺牲了爱情,牺牲了自己的生命,就是为了达到自己的目标。没有人强迫她,没有人引导她,最后的选择都是她自己决定的！” Finally, Ryan said, „the princesses of Disney do not need the prince to save, they can also save itself.” 最后,瑞恩说道,“迪士尼的公主不需要王子来拯救,她们也可以自己拯救自己。” Antonia? Kidman met one at the right moment, „Anna the survival that gives up Chris bringing hopes, the choice rescued the elder sister thus also to save itself, truly was a brush.” 安东尼娅?基德曼则适时的接了一句,“安娜放弃克里斯托弗带来的生存希望,选择解救姐姐从而也拯救了自己,确实是神来之笔。” Anna and Elsa become this winter absolute lead, whether or not the amateur of Disney animated cartoon, can always see the images of two people, hears that brainwashing Divine Comedy. 安娜和艾尔莎成为了这个冬天绝对的主角,无论是不是迪士尼动画片的爱好者,总能看到两个人的形象,听到那首洗脑神曲。 These two completely virtual images also had massive respective crowd, sisters who even if two people each other really love in the movie, but fan in real world, actually for they noisily continuous. 这两个完全虚拟的形象也拥有了大量各自的拥堵,即便两人在影片中是彼此真爱的姐妹,但现实世界中的粉丝,却为了她们吵闹不休。 For example as of a saving link movie classics, Elsa's fan thinks is Elsa really liked saving Anna, but Anna's fan thinks Anna was saved herself...... 比如作为影片经典之一的拯救环节,艾尔莎的粉丝认为是艾尔莎的真爱拯救了安娜,而安娜的粉丝则认为安娜是自己拯救了自己…… „This flat and thin piece is why great, because Anna saved himself, ‚the behavior of true love’( choice saved elder sister to sacrifice itself) is Anna is completed, by the bystander, was not passive by the others' kiss of real love, was oneself! Oneself redeemed himself! Therefore does not fall the custom! The princess does not need the prince to save! The princess does not need the man to save! The princess does not need others to save in any case! Therefore Anna resurrects and Elsa's tears not many relations.” “这片子为什么伟大,因为安娜自己救了自己,‘真正的爱的行为’(选择救姐姐牺牲自己)是安娜自己完成的,不是靠外人,不是被动的靠别人的真爱之吻,是自己！自己救赎了自己！所以不落俗！公主不需要王子来拯救！公主不需要男人来拯救！公主反正就是不需要别人来拯救！所以安娜复活和艾尔莎的眼泪没多少关系。” „Although the elder sister tears definitely are also ‚true love behavior’, but always has because has the fruit? Why cries? Queen your highness cries is also because discovered that Anna decided to sacrifice itself, therefore Anna really liked saving itself in first, the queen burst into tears after......” “虽然姐姐眼泪肯定也属于‘真正的爱的行为’,可是总有因才有果吧？为什么哭？女王殿下哭也是因为发现安娜决定牺牲自己,所以还是安娜自己的真爱救自己在先,女王流泪在后……” In brief, in 1000 individual hearts has 1000 Hamlet, such argument does not have the fault regarding the film promotion, many Anna and Elsa's fan, to find to argue down the reason of opposite party, bought tickets to enter the theater to watch the movie repeatedly, contributed not the poor box office digit for the movie. 总之,一千个人心中有一千个哈姆雷特,这样的争论对于电影宣传也没有坏处,很多安娜和艾尔莎的粉丝,为了找到驳倒对方的理由,纷纷购票进入影院重复观看影片,为电影贡献出了不菲的票房数字。 The response of gay community, such movie appears, they definitely dance with joy. 还有同性恋群体的反应,这样的影片出现,他们肯定欢欣鼓舞。 „Flower bud. The silk saves the world anything, best......” “蕾.丝边拯救世界什么的,最棒了……” „My view is the younger sister is straight, the elder sister was very difficult to say......”( please search the floating astronomy to be continued, the novel was better to renew is quicker! “我个人看法是妹妹是直的,姐姐就很难说了……”(未完待续请搜索飄天文學,小说更好更新更快!
To display comments and comment, click at the button