Aftermid December, «Pianist»landedNorth Americafinally, likesuch that Ryan said that the moviehas not been heldpreview ceremony, only thenless than the scales of 500courtyardlines, was not worthspendingseveral millionUS dollarsagain, held a vast momentumfirst showingceremony.
进入十二月中旬后,《钢琴家》终于登陆了北美,就像瑞恩说的那样,电影没有举行首映式,只有不到五百家院线的规模,也不值得再花费数百万美元,举办一场声势浩大的首映典礼。Thisis only an audiencesurfacelimitedliterary film.
这只是一部受众面有限的文艺片而已。That evening of first showingday, Ryanboughttwotickets, bringsto obstructCharlize Theron that a herodresses up, the shieldby starlight, entered a theater box of Long Beachtheater.
首映日的当晚,瑞恩自己买了两张票,带着遮面侠打扮的查理兹?塞隆,趁着夜色的掩护,走进了长滩一家影院的包厢。„It is not idealto the gearfrom the instituteline.” After sitting down, Charlizedownloadedoneselfcamouflage.
“从院线到排挡都不理想。”坐下后,查理兹卸掉了自己的伪装。Theirtheater boxesintwobuildings, Ryanlooked below, the booking rateshouldbe overhalf, muchwasyoung people, obviouslywatchedthismovietooneself.
他们的包厢在二楼,瑞恩看了看下面,上座率应该超过了一半,其中不少都是年轻人,明显是冲着自己才来看这部电影的。Hopesmovieconclusion that theycaninsist on.
但愿他们可以坚持的影片结束。Thisis the Ryanrealidea, freelyat the suggestion ofhisintense, Roman? Polansky conducted the compressionto the movie, but the lengthsurpassed for twohours, such long-termdepressedandice-coldatmosphere, does not know how long the followingtheseyoung peoplecaninsist.
这是瑞恩真实的想法,尽管在他的强烈建议下,罗曼?波兰斯基对电影进行了压缩,但长度还是超过了两个小时,这样长时间沉闷而又冰冷的气氛,不知道下面的那些年轻人能坚持多久。
The moviewill be liked, becomes the world's first -classentertaining fashion, itcanlead the audienceto realize that the completelydifferentworlddefinitelyare one of the reasons, but the substitutionfeelingismost importantthing.
电影之所以会受到人的喜爱,成为当今世界第一流的娱乐方式,它能带领观众体会完全不同的世界肯定是原因之一,而代入感则是其中最为重要的东西。Spilman who Ryanplaysalthoughis an actor, what heis moreis an observer, the moviethroughhisexperience, is describinginWarsawJewish Quarterall sorts ofunfortunate, described the real situation of thatperiodwith the astonishingobjectivebrushwork, thisobjective was almost in nearly callousandprecisesituation.瑞恩饰演的斯皮尔曼虽然是男主角,但他更多的是一个旁观者,影片通过他的所见所闻,描述着华沙犹太区里发生的种种不幸,用令人吃惊的客观笔触描述了那段时期的真实情况,这种客观几乎到了近乎冷酷和精确的地步。Callousstartedto finishfrom the movieobjectively, throughoutpassed through, thiscanbe the style that the movie criticmostappreciated, thisalso the place that affected the audienceto substitute.
冷酷客观从影片开始到结束,始终贯穿在了其中,这会是影评人最欣赏的风格,这也是最影响观众代入的地方。Cannotsubstitute, will then seriously affect the watching movieseffect.
不能代入,则会严重影响观影效果。Charlize Theronis not the Jewish, tooncethatphase of historynon-inductive, shewill only concentrate the vision that shewill pay attention to the person of care.查理兹?塞隆不是犹太裔,也对曾经的那段历史无感,她只会把她关注的目光投注在关心的人身上。ShewantslookspianistSpilman who naturallyonly thenRyanplays.
她想要的看的当然只有瑞恩饰演的钢琴家斯皮尔曼了。
In 1939, pianistSpis is 27 years old. Every dayplaysinPolishBroadcasting station, the second warbroke out, the shell of German arm forceraided the broadcasting station, the staffmadehimleave, heshook the head, piano music that becausehas not shotthatChopin.
1939年,钢琴家斯皮曼27岁。每天在波兰电台弹奏,二战爆发了,德军的炮弹袭中了电台,工作人员让他离开,他摇头,因为还没有弹完那首肖邦的钢琴曲。Facingall sorts ofdifficulties, herenouncedsaid that mustdiealsodiesat home. Butin the face of the pressure of survival, can only lower the head.
面对种种困难,他决绝地说要死也死在家里。但在生存的压力面前,只能低头。Heandadmiration the object of meets by chanceon the street, thinks the offershe, helplessactuallyin the reality, hecannotenter the coffee shopandpark, even the seat of streetcannotbump. Walksalsowants the inlet channel.
他和倾慕的对象在街上偶遇,想要约她,却无奈于现实,他已经不能进咖啡店、公园,甚至连街边的座位都不能碰。走路也要进水沟。Hewas forcedto take the Davidstarsleeve emblem, for the belly of fillingwhole family, for the livelihood, can only sell cheapto followhemanyyears of partner- piano.
他被迫带上了大卫星袖章,为了填饱一家人的肚子,为了生计,只能贱卖掉伴随了他多年的伙伴-钢琴。
The whole familywas rushed toJewish Quarter that severaltall wallencircle, he can only go againstbrothers' the visions of ridiculesandotherperson of differences, sitsin the restaurant, istheseJewclothes eating insectsplays the piano. Receives in exchange the littlegrain, there is nothing to dowith the dignity, buttosurvive.
全家人被赶到几个高墙圈起来的犹太区,他只能顶着兄弟的讥讽和其他人异样的眼光,坐在餐馆里,为那些犹太人蛀虫们弹钢琴。换回一点点粮食,这与尊严无关,只是为了生存。
The hand that hiswitnessGermanoppressing and slaughter of Jewrecklessly, heusesto play a stringed musical instrumentinnumerablemoves bricks the head, digs the potato, histimeslower the headin the face of the ice-coldreality, thisalsotosurvive.
他无数次目睹德国人肆意的凌虐、屠杀犹太人,他用弹琴的手搬砖头,挖土豆,他一次次在冰冷的现实面前低头,这也是为了生存。Suffering of experienceuntold hardships, heflees from the concentration camp. Hides in the Warsawapartmentruins the remnant of destroyed building, such as the mousehides by day and come out at nightto suffer injustice.
经历千辛万苦的折磨,他逃离集中营。躲进华沙公寓废墟的断壁残垣,如老鼠般昼伏夜出不见天日。In order tolive, heis drinkingin the spittoonalready the water of pollution, eats to treat asfood the thing, usescondition that allcanuse, is onlyfortenaciousgoing on living.
为了活着,他喝着痰盂里已经浑浊的水,吃一切可以当作食物的东西,利用一切可以利用的条件,只是为了顽强的活下去。
A Jewishpianist, forlife. Onlycantemporarilygive up the art, towas gradually isolatedfrom the socialcoreis abandonedis annihilated, when lifeanddignityfacingbrutalwar, appearsthathelpless.
一个犹太钢琴师,为了生命。只能暂时放弃艺术,从社会核心逐渐到被隔绝被摒弃被歼灭,生命和尊严面对残酷的战争时,显得是那么的无奈。Howeverhehad not given up the life. Has not given up the hope, althoughhopesthatdifficultly, thatremote.
但是他一直没有放弃过生命。没有放弃过希望,尽管希望是那么的艰难,那么的遥远。Somepeoplehave harmedhim, somepeoplehave helpedhim, inthisnot onlyhas the Jew, andsomePoles, GermanNazi.
有人害过他,也有人帮过他,这里面既有犹太人,又有波兰人,还有德国纳粹。Jewish that turned to the Germanis deceitful, finallyrescued his life, actuallycannotconceal the status of hisaccomplice.
一名投靠了德国人的犹太奸,最后救了他一命,却不能掩饰他帮凶的身份。Charlizethinkssuddenly, becauseRyanraised the interesthas read the original works, understands the Jewhadwellalsoto have the badness, the Polehadwellalsoto have the badness, the GermanNazisalsohadwellalsoto have the badness, when humanestandpointindifferenttimedifferentplaces, facingdifferentobjects, has the entirely differentperformance.
查理兹忽然想到了因为瑞恩才提起兴趣看过的原著,明白了犹太人有好也有坏,波兰人有好也有坏,德国纳粹同样有好也有坏,人性立场在不同的时间不同的地点,面对不同的对象时,有着截然不同的表现。
The movieas ifpredictedat the openingsuch a result- works ashumanfaced with the choice of artisticandlife, has totemporarilygive upchoosingrealityromantically- without the life, will not then have the artsince then.
电影在开场时似乎就预言了这样一个结局-当人类面临艺术与生命的选择时,不得不暂时放弃浪漫而选择实际-没有生命,从此便再不会有艺术。
The artappearsin front of the flames of waremaciatedandno use, inlastlike the cold windis trembling the openrose, althoughbeautifulas before, butthissuffocatinghow longemaciatedbeautifulcaninsist? Sheremembershad heard an analogy, the war and art, likearmsandrose- evenin the hail of bullets, the rose can still cowerbeing in full bloom, butwas in full bloom, how longin the crevice of fire can also barely manage to maintain a feeble existence?
艺术在战火面前显得羸弱而无助,如同寒风里最后一朵战栗着开放的玫瑰,虽然美丽依旧,但这份奄奄一息的羸弱美丽又能坚持多久呢?她想起了曾经听到过的一个比喻,战争与艺术,就像枪炮与玫瑰-即使在枪林弹雨中,玫瑰也能够瑟缩着盛开,可是盛开了,又能在炮火的夹缝中苟延残喘多久呢?Finally, hesitsreturns toWarsawBroadcasting station, the performancemusic, alltowardlikeyesterday.
最终,他重新坐回华沙电台,演奏乐曲,一切往如昨日。Twohourspassed by, althoughCharlize Theronis a professional, butessentially, likes the livelyyoung people, the slowrhythm and depressedice-coldstyle, makingherfeelthesetwohoursunexpectedlysolong.
两个多小时过去了,查理兹?塞隆虽然是业内人士,但从本质上来说,还是喜欢热闹的年轻人,缓慢的节奏和沉闷冰冷的风格,令她觉得这两个多小时竟然是如此的漫长。Luckily, in the moviealsohas the person who shelikes, although the thinfrailappearance, seems likemakesherbe worriedvery much, buthissacrificetrulytraded the exquisiteperformance.
幸好,影片中还有她喜欢的人,虽然其中消瘦单薄的样子,看起来很是让她担心,但他的牺牲确实换来了精湛的表演。Inthismovie, hisperformancereallyimpregnable, the profoundness that was threatenedby the deathonefor a long time, withstands the artist who frightenedpressureportrays.
在这部电影中,他的表现真的无懈可击,把一个长期受到死亡威胁,承受恐惧压力的艺术家刻画的入木三分。Especially, hehidesin the blockcenter of Warsaw, hidesin the room, hecannotmake the soundto detect that in the roomhas the person, whenheonce againbecause ofhunger, butseeks forfood in the room, did not staveonepack of porcelain traycarefully, the trayexuded the sharpgratingshattersound, the entranceheard the intenseknocking at the doorsoundimmediately, hetrembledas a result of the terrifyingunceasingly, in the lookshowed the panic-strickenlook, thathelpless, thattype of soulflyingbrokenpowder, making one be worriedforhimfrom the bottom of the heart, is afraid, profoundheart.
特别是有一段,他藏匿于华沙的街区中心,躲在房间里,他不能发出声音让人察觉房里有人,当他又一次因为饥饿而在房里寻找食物时,不小心敲破了一叠瓷盘子,盘子发出尖锐刺耳的破碎声,门口随即传来了激烈的拍门声,他由于恐怖而不断瑟瑟发抖,眼神里透出惊恐的神色,那种不知所措,那种魂飞破散,让人从心底里为他担心,不寒而栗,痛彻心扉。Charlizeonlythought that the heartwas clutched for twohours, prayedunceasingly,finisheda bit faster, no matter the movieis also good, the waris also good, finisheda bit faster.
查理兹只觉得心被揪了两个多小时,不断祈祷,快点结束吧,不管是电影也好,战争也好,都快点结束吧。Althoughis not familiar, butsheknows,thismoviehas the strongPolansky'sindividual style, thisDirectorfrommoviefrom the beginningis suffering the audiencelike this, tohas not warmedfinally, icylooks like the street of Warsawwintergeneral.
尽管不熟悉,但她知道,这部电影带有浓烈的波兰斯基的个人风格,这个导演从电影的一开始就这样折磨着观众,一直到最后都没有温暖过,冷冰冰的就像是华沙冬日的街头一般。Shealsounderstands why Ryanis not willingto increaseonthismovieinvested, ifsuchmoviecanobtain the highbox office, thatis the miracle.
她也明白瑞恩为什么不肯在这部影片上面加大投入了,这样的影片如果能取得高票房,那才是奇迹呢。Charlize Theronlooked at the eyefollowingaudience, perhapshas the person who the midwayleaves the stage, will not be absolutely many, perhapsbecause of the theme and style of movie, the echo of audienceis not warm.查理兹?塞隆又看了眼下面的观众,或许有中途退场的人,绝对不会多,或许是因为电影的题材和风格,观众的反响不算多热烈。Actually, to her, abandonsmoviethatstrongindividual style and seriousthemeonly, «Pianist»trulyis inferior to«Schindler'sList»splendid.
其实,单就她自己而言,抛弃电影那浓烈的个人风格和沉重的题材,《钢琴家》确实不如《辛德勒的名单》精彩。In other words, it was extremely sad.
换句话来说,它太过于沉闷了。PerhapswithCharlizeexperience, the influence of thismoviecannot compare«Schindler'sList»employedby far, the priorityorder of birthis an aspect, canattract the audienceismost important, on the one hand.
以查理兹自己从业的经验来看,这部电影的影响力恐怕远远比不上《辛德勒的名单》,诞生的先后顺序是一方面,能不能吸引住观众才是最重要的一方面。Without the audience, movieactuallyanythingis not.
没有观众,电影其实什么都不是。Perhapsis the influence of influencing subtly, sheapproves oftheviewpoint of Ryan.
或许是潜移默化的影响,她非常赞同瑞恩的这个观点。„Dear, whatthinks?”RyandrewlostCharlize Theron, the reminder said that „personwalkedwas similar, we should also leave.”
“亲爱的,想什么呢?”瑞恩拉了拉出神的查理兹?塞隆,提醒道,“人走的差不多了,我们也该离开了。”„No, butseesyouraboveimage, thought that thisdid not seem likeRyan that Iloved.”Charlizefirstarmsto obstruct a herooneself, wears the sunglasses and hatforRyan, „you in feelingmovie, the person who comes outcompared with the Johannesburgpoorestslum , but also is pitiful.”
“没什么,只是看到你上面的形象,觉得这好像不是我爱的瑞恩了。”查理兹先把自己武装成遮面侠,又替瑞恩戴好墨镜和帽子,“感觉电影中的你,比约翰内斯堡最穷的贫民窟里出来的人,还要凄惨。”„Ithinnesttime, the body weightfell below 130pounds.”Ryandrawsherto walktoward the theater, „at that timeexcept for the skinwas the bone, whole persontaking off/escaping.”
“我最瘦的时候,体重掉到了一百三十磅以下。”瑞恩拉着她向影院外面走去,“那时候除了皮就是骨头,整个人都脱型了。”„Yourpayoutmeetsreturns.”Charlizeknows that the Ryangoalisanything, „your movie......”
“你的付出会得来回报的。”查理兹知道瑞恩的目标是什么,“你这部电影……”„No, no.”Ryanswung the finger, „saidstrictly,thisisRoman? Polansky'smovie, do not watch the movieice-coldanddepressed, in facthas the intenseindividual style and sentiment.”
“不,不,查莉。”瑞恩摇了摇手指,“严格的说,这是罗曼?波兰斯基的电影,别看电影冰冷而又沉闷,实际上带着强烈的个人风格和感情。”Opened the vehicle doorforCharlize, Ryancirclestoanother sidein the driver seat, „, althoughdid not likevery much, buthas saying that Polansky'sangle of viewwas objectiveenough.”
替查理兹拉开车门,瑞恩又绕到另外一边上了驾驶座,“尽管不是很喜欢,但不得不说,波兰斯基的视角足够客观。”WhenRyanstarts the vehicle, after driving intoemptyHaibin Avenue, Charlizecoiled a microphonesingle-handed, delivered to front ofRyangrinningly, „that Mr.Jenkins, youthinks that what the moviedid tell? Whatprofoundsubjectalsocontained?”
等瑞恩发动车子,驶入了空荡荡的海滨大道后,查理兹单手卷成了个话筒,笑嘻嘻的送到了瑞恩面前,“那么,请问詹金斯先生,你认为电影讲述了什么?又蕴含了什么深刻的主题?”„Movietoldhow a Polishpianistsuffered the persecution of GermanNazi......”
“影片讲述了一个波兰钢琴家是如何遭受到了德国纳粹的迫害……”„This? Does not haveother?”Charlizewaited for quite a while, does not have, whenRyanfollowingwords.
“就这个?没有别的了?”查理兹等了半天,也没有等到瑞恩下面的话。„This, Isaidisn't right?”
“就这样,难道我说的不对吗?”Naturally, thiswordsRyanto the mediawill not say , when only thenfaces the closestperson, hewill sayin the innermost feelingsto the movietrueview.
当然,这种话瑞恩是不会对媒体说的,也只有面对最亲密的人时,他才会说出内心中对电影真正的看法。Thismoviehetrulymade the enormouseffort, moviemanyplaces and previous generationalsohadmanychanges, especiallyplays the pianolens when aboutSpilman.
这部电影他确实付出了极大的努力,电影很多地方与前世也有了不少改变,特别是关于斯皮尔曼演奏钢琴时的镜头。Ryanhas the excellentpianofoundation of basic skills, inall theselensheallgoes forth to battlepersonally, Polanskyadopts is also the location recording, onlyonthis point, Adrian of previous generation? Brodyis unable in comparison.瑞恩拥有极好的钢琴功底,所有这些镜头中他全是亲自上阵,波兰斯基采取的也是现场录音,单就这一点,前世的阿德里安?布罗迪就无法与之相比。With«Pianist»screening, the Ryanteamwelcomedthispromulgationseasonmost vitalduty, wins over a best actorto nominatefull power, as for the best pictureandbestDirector , the bulletincomes upsimilarly, if as expected, thesetwonominations can also be the 'ses in the bag.
随着《钢琴家》的上映,瑞恩的团队迎来了这个颁奖季最重要的任务,全力争取一个最佳男主角提名,至于最佳影片和最佳导演,同样也会报上去,如果不出意外的话,这两项提名也会是囊中之物。However, the best picturecantry the public relations, the bestDirectorthatmusttry hardbyPolansky.
不过,最佳影片可以尝试着公关,最佳导演那就要靠波兰斯基自己努力了。
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