MLSIAI :: Volume #8

#766: War and peace ( 3 )

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«War Epic poem» altogether four sections that journey Xiaoyu arranges, first section «Beginning»( «loveamp ; amp ; loss-original») second section «Going to battle»( «gipsy.danger» «Pacific Rim») third section «Landing»( «the.mass» ERA this song by named „Era” France Hyundai Orchestra creation. It with German well-known musician Carl Orff highly praised work «CarminaBurana»( Buland poetry), the tune equalization came from the discovery in the medieval France sacred music of Germany. Some people its false report are accept. Essence military song and Hendl «Messiah» program.) Fourth section «Conclusion»( «pacific.rim» «Pacific Rim» asked everyone first to establish a song to include to broadcast only continuously.) 程晓羽编排的《战争史诗》一共四个小节,第一小节《开端》(《loveamp;amp;loss-original》)第二小节《出征》(《gipsy.danger》《环太平洋》)第三小节《登陆》(《the.mass》ERA这首歌是由一个叫“Era”的法国现代乐团创作的。它与德国知名音乐家卡尔・奥尔夫受盛赞的作品《CarminaBurana》(布兰诗歌),曲调均源自于发现于德国的中世纪法国宗教音乐。一些人将其误传为纳.粹军歌、亨德尔《弥赛亚》中的曲目。)第四小节《结束》(《pacific.rim》《环太平洋》请大家先建立一个歌单收录进去连续播放。) journey Xiaoyu makes the reorganization four newage music slightly, connects in together, with the editing and some photographies, caused on -the-spot report movie, with present the second war history of Huaxia joint expeditionary force 52 army, this 52 army in journey Xiaoyu remember that history, was regarded as a rumor, but has actually existed in this space and time. 程晓羽将四首newage音乐稍作改编,串联在一起,用剪辑和部分拍摄,弄出了一部纪实影片,用以呈现华夏联合远征军五十二军的二战历史,这个五十二军在程晓羽记忆中的历史,被当做是一个谣言,但在这个时空却是真实存在过的。 Section 1 in " love ( and ) loss-original » gentle introduction, told 1939 to 1943 is experiencing a series of wars to sew the RB person as the Huaxia soldier of anti-Japanese first line in the North Korean battlefield history, because the political reason excessively has not traced to chat much, the war scenes of several editing flash past, with the spirited music ending, in the picture showed finally the Huaxia then two party leaders, decided forms the expeditionary force to enter Europe to battle, 第一节在《love(and)loss-original》平缓中开篇,讲述了一九三九年至一九四三年作为抗日第一线的华夏军人在经历了一系列大战将RB人钉在了朝鲜战场的历史,但因为政治原因并没有过多描叙,几个剪辑的战争场面一闪而过,随着激昂的音乐结尾,最后画面中显示华夏当时的两党领导人,决定组建远征军进入欧洲作战, Second section «Going to battle» starts. 第二小节《出征》开始。 In May 1943, the second war was held at this time for four years. In Eastern Europe, after Battle of Stalingrad, Soviet Union has changed over to strategic counteroffensive, Nazi Germany retreats in defeat again and again. In Western Europe, has been incapable of controlling the air supremacy in English Channel after German Air force of Battle of Britain failure. Under this advantageous situation, Churchill and Roosevelt meet in HSD, discussed that opens the second battlefield issue in Western Europe. 1943年五月,此時二战已经进行了四年。在东欧,经过斯大林格勒战役,苏联已经转入战略反攻,纳粹德国节节败退。在西欧,经过不列顛空战失败的德国空军早已无力控制英吉利海峽的制空权。在这种有利形勢之下,丘吉尔和罗斯福在HSD举行会晤,商讨在西欧开辟第二战场的问题。 Facing the dawn of victory, Roosevelt proposed initially conception of UN, proposed that holds the post of the permanent member by UK , US , law and magnificent, has the veto, but must enter the country of permanent member to deploy the army to enter the second battlefield. 面对胜利的曙光,罗斯福初步提出了联合国的构想,提议由英、美、苏、法、华担任常任理事国,拥有否决权,而所有要进入常任理事国的国家必须派遣军队进入第二战场。 In the situation that Huaxia in own war becomes serious dispatched the second fleet and Huaxia joint expeditionary force sharpest 52 army rushes to Europe, attended the Normandy Landing. 华夏在自身战事吃紧的情况下派遣了第二舰队以及华夏联合远征军最为精锐的五十二军赶赴欧洲,参加诺曼底登陆。 But the second section «Going to battle» lens majority gave the present also several preservation in the warship of Military Museum, majority is the Huaxia best cruiser, ZQ, „forever will pacify” and „clear/pain, „ river rhinocero” and „to unite light” with ”, Taiyuan and Anton, Ji'an and Merrill Sachs. 而第二小节《出征》的镜头大部分都给了如今还有几艘保存在军事博物馆的军舰,其中大部分都是华夏最好的巡洋舰,“ZQ号”、“永绥”、“楚同”、“太原”、“安东”、“江犀”、“联光”、“吉安”、“美盛”。 The second section «Going to battle» lens, journey Xiaoyu does not have the means short time to complete the photographies, can only after obtaining the copyrights, mostly the editing from Huaxia history war piece «52 army». With electricity white/shell the voice of Si and electric guitar, first is the huge expeditions ceremony, the violin follows to resound, in the picture is grand reviewing troops, lines up the neat soldier to walk toward the troop carrier, and lifted gun to shout loudly „to prepare sacrifice”, finally was nine great ships and several troop carriers leaves port, the steel hull is stroking the ocean waves, making one one's blood bubbles up to the brim, as the spirited bugle sounded, the whistle spanned the space and time to resound through entire still sea. 第二小节《出征》的镜头,程晓羽并没有办法短时间去完成拍摄,只能在获得版权之后,大多剪辑自华夏历史战争片《五十二军》。随着电贝司和电吉他的声音,先是庞大的出征仪式,小提琴跟着响起,画面上则是盛大的阅兵,列队整齐的士兵朝运兵船走去,并举枪高喊着“以做好牺牲的准备”,最后是九艘巨舰和几艘运兵船出港,钢铁船身击打着海浪,让人热血沸腾,随着昂扬的号角吹响,汽笛声跨越时空响彻整个尚海。 Relative swift and fierce of entire picture editing, the soldiers lift gun to line up to pass through the giant fleet body side picture particularly, with more than ten ships under surrounding of people, having the determination that is going to put forth the harbor lens, burning of ten points. 整个画面剪辑的相当凌厉,尤其是士兵们举枪列队走过巨大的舰队身侧的画面,和十多艘船舰在民众的围观下,带着赴死的决心使出港口的镜头,十分的燃。 Third section «Landing» is journey Xiaoyu personally photography more than ten minutes of Normandy Landing scenes, because the time became seven minutes by the editing limitedly finally, journey Xiaoyu is completely the imitation «Saves Main strength Ryan» photographs, uses the portable photograph to land the soldier similar Boping first angle of view to lead into the war, better letting person sees the brutality and authenticity of war. Because there is stretch/open Luyang a vigorous support, invited the Huaxia army cooperation to photograph, suitable shocks of these seven minutes of fragment photographies, making stretch/open Luyang sigh journey Xiaoyu the talent greatly.(, but interested can have a look «To save is many minutes of Main strength Ryan» beginning, classics) 第三小节《登陆》是程晓羽亲自拍摄的长达十多分钟的诺曼底登陆场面,但因为时间有限最后被剪辑成了七分钟,程晓羽完全是模仿的《拯救大兵瑞恩》来拍摄的,使用便携式摄像以登陆士兵肖博平的第一视角带入战争,更好的让人看到战争的残酷和真实性。因为有张路阳的大力支持和帮助,请来了华夏军队协作拍摄,这七分钟的片段拍摄的相当震撼,让张路阳都大为感叹程晓羽的天赋。(有兴趣的可以去看看《拯救大兵瑞恩》开头的而是多分钟,经典) Dangzhuang serious solemn «zhe.mass» resounds, without the gloomy backdrop of Sun, the pollution the ice-cold sea water, covers entirely to prevent the sand beach of landing tank iron fence, lets the person enters „the Normandy Landing” immediately that day. 当庄严肃穆的《zhe.mass》响起的时候,没有太阳的阴沉的天幕,浑浊又冰冷的海水,布满防止登陆坦克铁栅栏的沙滩,让人立刻就进入了“诺曼底登陆”的那一天。 journey Xiaoyu in the landing plot, the camera is portable, is not fixed invariable, is the time in the movement, because of manual control, therefore, the lens are parallel aim at the object generally or are face upwards Pai and bird's-eye shot of 45 degrees corner/horn, the picture establishment selects a scene, the effect that at the soldier angle of view is used to make to experience personally, in addition the track photography, or places the ground the camera simply by the visual experience observation entire battlefield of person, the audience on as if arrives at the Omaha beach head along with the lens, is feeling the deterrent of hail of bullets. 程晓羽在登陆情节中,摄象机是手提的,不是固定不变的,是时刻都在运动中的,但又因为人工操作,因此,镜头一般都是平行对准物体或者是45度角的仰拍和俯拍,画面设置是以士兵视角取景,用来制造出身临其境的效果,再加上跟踪拍摄,或干脆将摄影机放在地上以人的视觉体验观察整个战场,观众就随镜头仿佛亲临奥马哈滩头,感受着枪林弹雨的威慑。 The general big scene cannot transmit the terrifying feeling of war very well, therefore here scene not with aerial photography, even only when the fight ended used a chapter of panoramic view, but what are more uses the scenery, most common is the close view and feature article. 一般的大场景不能很好地传递出战争的恐怖感,所以这里的场景没有用航拍,甚至只在战斗结束的时候用了一回全景,而更多的是采用中景,最常见的则是近景和特写。 In " Landing » death lens quite lifelike, after the Huaxia 52 sergeant soldiers in lead position are hit has not struggled sacrificed, in heroical and solemn and respectful music. The heroics of all soldiers manifested above the never-ending death, continued death, persistent went forward to the beach head, had almost no scene of heroic death, did not have in the general war piece under the slow mirror to the death process „entire journey live broadcast”, did not have impractical dying turning a weapon around, death, what come was so quick, quick was almost smothery. 在《登陆》中的死亡镜头相当的逼真,处于主角位置的华夏五十二军士兵中弹后没有挣扎就牺牲了,在壮烈又肃穆的音乐中。所有战士的英勇就体现在永无休止的死亡上面,持续的死亡,持续的向滩头前进,几乎没有什么壮烈牺牲的场面,也没有一般战争片里慢镜下对死亡过程的“全程直播”,更没有了不切实际的垂死反戈,死亡,来的是如此的快,快的几乎让人透不过气来。 In «the.mass» tends to holy recitation, the death gradually increased, and two and three...... countless, finally what built was on the silver screen the frigid scene, people, not only felt the life unconsciously the frailty, in the war was so. Although the death in piece is short, but actually seems especially powerful under the upholstery of music, and intense transmission the terrifying of war, the pitiful and humane decline, in this fragment, the life of person is such disappearing. 在《the.mass》趋向圣洁的吟唱之中,死亡逐渐增多,一个、两个、三个……不计其数,最终营造出来的是银幕上惨烈的景象,人们在不只不觉中感受到生命的脆弱,在战争中更是如此。片中的死虽然是短促的,但在音乐的铺垫之下却显得格外有力,及其强烈的传达出战争的恐怖、悲惨与人性的没落,在这个片段中,人的生命是这样的转瞬即逝。 After these seven minutes of short films broadcast, Huaxia most Internet forums, „song” and „the S stand” barrage was all insane. 当这七分钟的短片播放出来之后,华夏大多数网络论坛、“细语”和“S站”弹幕全都疯了。 The high praise wells up like surging tides, 好评如潮水般涌来, „Too was really real! The music makes one one's blood bubbles up to the brim, the video makes the person whole body feel cold! Director cow B!” “实在太真实了！音乐让人热血沸腾,视频让人浑身发冷！导演牛B！” „Who said that the Huaxia person does make the war piece only to meet the hand to rip the devil? journey Daoniu B! Anticipated that Director journey can film the war piece.” “谁说华夏人拍战争片只会手撕鬼子的？程导牛B！期待程导演能拍摄战争片。” The eye tears that „I look are flower! Our happy life, came from the martyrs bravely sacrificed.” “我看的眼泪花花的！我们的幸福生活,都来自于先烈们英勇的牺牲。” „Without slogan, without putting up a last-ditch struggle, without sensational, is only real , because is too real, therefore uncomfortable.” “没有口号,没有垂死挣扎,也没有煽情,只是真实而已,就是因为太真实,所以让人难受。” „This short several minutes, making me feel the war, fervor in the cloud of smoke float over rushed, flame of war are flying anxious bloody. Director journey good B, this fight was too heroical, in matching such music, invincible.” “这短短的几分钟,让我感受到了战争,硝烟弥漫中的激情澎湃,战火纷飞中的紧张血腥。程导演太牛B,这场战斗实在太壮烈了,搭配上这样的音乐,无敌。” „But my true feeling Normandy Landing” “但我真实感受了诺曼底登陆” „Explosion, burns violently, in «Going to battle» in I one's blood bubbles up to the brim, saw that here bloodlines fall prostrate open. Good to think that Director journey next makes the war piece.” “爆炸,激燃,在《出征》里我就热血沸腾了,看到这里更加的血脉偾张。好想程导演下一部拍战争片。” But this was not finished, what fourth section «Conclusion» was journey Xiao the feather editing was the war pictures of many movies, main centralized landing 52 army after the west line war that participated , and German arm force started one to counter-attack in the west line later period of the second war certainly- Arden counterattack battle, called Battle of the Bulge, including happening in Caen «112 High ground Contests», but «Battle of Berlin» that then finally the editing the former Soviet Union photographed. 但这并不是结束,第四小节《结束》是程晓羽剪辑的是多部电影的战争画面,主要集中在登陆之后五十二军所参与的西线战事,以及德军在二战後期於西线发动一场绝地反击-阿登反击战,又称突出部之役,包括发生在法国卡昂的《112高地争夺战》,而最后则剪辑了前苏联拍摄的《柏林战役》。 Not the justness of prominent war in journey Xiaoyu the editing, but emphasized war the brutality of mammoth grand and bloody evil, in the bugle horn sound, the picture frames finally , the black-and-white broken world, the piled up corpse, only has the side broken red flag to flutter. 在程晓羽的剪辑里并没有突出战争的正义性,而是强调了战争的波澜壮阔的宏伟与血腥罪恶的残酷,最后在号角声中,画面定格在,黑白色的残破世界,堆积成山的尸体,只剩下一面残破的红色旗帜在飘扬。 journey Xiaoyu does not have the editing to leave joyfully celebrates the scene of victory, but with such drawing, indicates in this human history the scale greatest war ended, but does not have the winner. 程晓羽并没有剪辑出欢庆胜利的场面,而是用这样图画,预示着这场人类历史上规模最宏大的战争结束了,但是却没有胜者。 May be this cannot reach the altitude of reconsideration war merely, after journey Xiaoyu also has the move, the large screen grow darks, then presents Chapter 4 «Human World». 可仅仅是这样并不能达到反思战争的高度,程晓羽还有后招,大屏幕变黑,接着出现第四章《人间》。 At this moment what arrives is on play renowned bass singer Liu Guangyi, the program that he will sing is German song «AN.DEINER.SEITE»( «AN.DEINER.SEITE» unheilig). 此刻登场的是上戏著名的男低音歌唱家刘光义,他将演唱的曲目是德语歌曲《AN.DEINER.SEITE》(《AN.DEINER.SEITE》unheilig)。 The large screen besides like the tombstone that the large expanse of woods sets up no other otherness, Liu Guangyi Station, in this lens have swept various languages write on front of the tombstone recited shallowly sings in a low voice, like reading aloud the town/subdues soul tune. Liu Guangyi that vicissitudes vigorous throat can very strong feeling, sound the magnetism actually not to rectify fully softly artificial, easily then can capture the will of the people. What loses face/shows off is journey Xiaoyu the song, the prelude melody makes the person mournful thought serious, the vice- song makes one recall with deep feeling. 大屏幕是除了像成片的树林一样树立的墓碑之外别无他物,刘光义站在这一片又一片镜头扫过的各种语言写就的墓碑前面浅吟低唱,如同在念诵镇魂曲。刘光义那副苍桑浑厚的嗓子就能给人非常强烈的感觉,听起来磁性十足却丝毫不矫柔做作,轻易便能俘虏人心。更出彩的是程晓羽的曲子,前奏旋律让人哀思沉重,副歌又让人有所感怀。 But in the background total information image besides such as the tombstone of forest, the captions has delimited with the Sino-UK bilingual captions one after another upwardly slowly. 而背景的全息影像上除了如林的墓碑,还有一排一排字幕以中英双语字幕向上慢慢划过。 „From Europe to Asia, from Atlantic Ocean to Pacific Ocean, 61 countries and regions and over 2 billion population was involved in the war, the area of operation area 22 million square kilometers. According to incomplete statistics, in the war the military and civilian casualties 90 million people, 4 trillion US dollars put to running water” “从欧洲到亚洲,从大西洋到太平洋,先后有61个国家和地区、20亿以上的人口被卷入战争,作战区域面积2200万平方千米。据不完全统计,战争中军民共伤亡9000万人,4万亿美元付诸流水” Sees here journey Xiaoyu, restrained the mind, said to nearby Su Yu: „Was ready?” 看到这里程晓羽,收敛了心神,对一旁的苏虞兮说道:“做好准备了吗？” Wears the silken luster of mercerized cotton cloth black skirt, the red ribbon is tying up Su Yu of bread twist pigtail calm nod. 身着丝光黑裙,红丝带绑着麻花辫的苏虞兮淡定的点了点头。 journey Xiaoyu sat Su Yu behind, for giant double bottom drum rack drum that behind he was tailor, piano, guitar and Bess on side stage, only then he and Su Yu on a flake lift table that in this can move, moved to main stage the middle of screen. 程晓羽坐到了苏虞兮身后,为他量身打造的巨大的双底鼓架子鼓后面去,钢琴、吉他、贝斯都在侧面舞台,只有他和苏虞兮将在这个可以移动的一小片升降台上,移动到主舞台的屏幕的中间。 journey Xiao the feather deeply inspires, immediately, is Su Yu the time must come 程晓羽深吸一口气,马上,属于苏虞兮的时刻就要来了 Liu Guangyi sang, on the large screen presented the last chapter, Chapter 5- «Our». 刘光义唱完,大屏幕上出现了最后一章,第五章-《我们》。
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