journey Xiaoyu attended " Speed per second Five Centimeters » Japan premiere in Tokyo, „idol plan” also does internally edits mini special edition « god newly. Under " line the bamboo slip sells the meeting, this three new songs have not participated in dozen of lists, but the fans that only then buys the special edition can be all eagerness to see it, but the GG music network, knew the different net music of music network as well as recent rise in relation with „on river”, wants to purchase the broadcast power, best was the exclusive broadcast power, the MV exclusive broadcast power, the back stands the Huaxia biggest net is buying website „in cloud group” the different net music initial price to arrive at 130 million. 程晓羽在东京参加《秒速五厘米》的日本首映礼,“偶像计划”还在国内做新一辑迷你专辑《god.》的线下签售会,这一次三首新歌并没有参与打榜,而是只有买下专辑的粉丝才能先睹为快,但是gg音乐网、知了音乐网以及新进崛起的异网音乐都在和“上河”联系,希望购买播放权,最好是独家播放权,mv独家播放权,背后站着华夏最大的网购网站“云里集团”的异网音乐开价已经到了一点三亿。 If „on river” is also willing to pack to sell the exclusive downloading power, different net CEO to „on river” the condition is price Ren open/start, as the struggle of player drops the curtain, major websites forestalling layout music website and music app, because „on river” most network music copyrights have sold out, therefore journey Xiaoyu had not planned that and others contend in this aspect, becomes a cow B content production business, is the good choice. 如果“上河”还愿意打包卖独家下载权的话,异网ceo给“上河”的条件是价格任开,随着播放器之争落下帷幕,各大网站都在抢先布局音乐网站和音乐app,因为“上河”的大部分网络音乐版权早就卖掉了,因此程晓羽并没有打算在这方面和别人一较高下,成为一个牛b的内容制作商,也是不错的选择。 With the change of player, and change of music dissemination way, over the following several years, the Huaxia record company will enter the time of great waves wash out the sand, if cannot keep up with the time step, will definitely be eliminated, but journey Xiaoyu also in writing one in detail „on river reform prospectus”, planned that in finishing „anti-fascist war 67 th anniversary party” existing system to „on river” reforms, making „on river” truly one to make Singapore Factory. 随着播放器的改变,以及音乐传播方式的改变,接下来的几年,华夏唱片公司将进入大浪淘沙的时代,如果跟不上时代脚步,肯定就会被淘汰,而程晓羽也在写一份详细的“上河改革计划书”,打算在忙完“反法西斯战争六十七周年晚会”就对“上河”现有的体制进行改革,让“上河”真正成为一个造星工厂。 As «Speed per second Five Centimeters» draws in Japan, in the network to the dispute of this animated film gets stronger and stronger, journey Xiaoyu has completed the localization as far as possible, but without thinking or arousing so many disapprovals, luckily, the Japanese edition fully respects and original work in memory, a change does not have, he thinks that should be able to recall a reputation, as for making money, he already non- extravagant demands, so long as suffers no loss of capital well. 随着《秒速五厘米》在日本上画,网络上对这部动画电影的争议越演越烈,程晓羽已经尽量去做好国产化的程度,但是没想到还是引起如此多的非议,幸好,日本版本是完全尊重与记忆中的原作,一点改变都没有,他想应该能够挽回一点口碑,至于赚钱,他已经不奢求了,只要保本就好。 The release of Japan is a native of Italy , Kitakawa help makes, he very early has read the Japanese edition, journey Xiaoyu the understanding degree to Japan, making Kitagawa surprised, particularly the Huaxia view of love and Japanese view of love are actually different. 日本的发行是喜多川义人帮忙弄的,他很早就看过日本版本,程晓羽对日本的了解程度,让喜多川惊讶,尤其是华夏恋爱观和日本恋爱观其实迥异的。 Called the puppy love in Huaxia over ten -year-old love that was the guardian and teacher must take strict precautions against cling to tenaciously with the matter that prevented strongly, but in Japan, that is called „first love”, like this purely unpurposed „liking”, was in the growth path of life, perhaps only had a wonderful experience, was the rich mind and mood road which must be taken. The Japanese parents will not therefore make much ado about nothing, even for children's the affections of innocence, but fills with joyfully. 在华夏十多岁的爱情那叫早恋,是家长、老师必须严防死守和竭力阻止的事情,而在日本,那叫做“初恋”,这样单纯毫无目的的“喜欢”,是人生的成长道路中,也许只有一次的美妙经历,是丰富心灵与情绪的必经之路。日本父母们不会因此大惊小怪,甚至会为孩子们的童真的爱意,而满怀欣喜。 But according to the media investigates more than 80% Japanese, the first love is fruitless, what therefore this movie reflects is the real life of most Japanese, particularly Japan's photography to pure love movie, always with the disease, the death relates. 而据媒体调查百分之八十多日本人,初恋都是没有结果的,因此这部电影反映的是绝大多数日本人的真实生活,尤其是日本对纯爱电影的拍摄,总是和疾病,死亡相联系。 From the history of pure love movie, the sad sad touching love is, until the late 90's that Japan esteems, marches into to the love positive attitude, subject that however the shy love and first love cannot leave. 从纯爱电影的历史来看,哀伤凄美的爱情一直是日本所推崇的,直到90年代的后期,才步入对爱情积极的态度中,但是青涩的爱情和初恋还是离不开的主题。 But «Speed per second Five Centimeters» young one generation from a new angle of view, namely at that time so-called is at a loss miniatures of one generation of 80, the 90's views of love. Although has not been separated from the passive condition of carrying a torch, but also fresh was the angle of view annotated the relations of love and life from one. 而《秒速五厘米》又是从一个新的视角来看年青一代,即当时所谓的迷惘一代80、90年代的恋爱观的缩影。虽然没有脱离单恋的被动状态,但是也从一个新鲜是视角诠释了恋爱和人生的关系。 Thus responded this generation of Japanese's focus to the love. 从而反应了这一代日本人对恋爱的执着。 This is also this «Speed per second Five Centimeters» can smooth distributes the reason that in Japan, because after the movie-watching ended, many young preview and row of piece looked that left behind the excited tears, thought that this is worth introducing the animation of Japan, but «Speed per second Five Centimeters» is also first registers the Huaxia animated cartoon of Japan, how regardless of the final box office, journey Xiaoyu actually to make the history. 这也是这部《秒速五厘米》能顺利的在日本发行的原因,因为看片会结束之后,很多年轻的试片员与排片员看完都留下了激动的泪水,觉得这是非常值得引进日本的动画,而《秒速五厘米》也是首部登录日本的华夏动画片,无论最后的票房怎么样,程晓羽其实都创造了历史。 But broadcasts «Speed per second Five Centimeters» Japan Movie Theatre are still not many, first day more than 60 small-scale movie theaters open the picture, but the principal propaganda of poster: «My Barbaric Girlfriend» inspector general journey Xiao feather most recent work, first registers the Huaxia animated cartoon of Japan. 但播放《秒速五厘米》的日本电影院依旧不多,第一天只有六十多家小型电影院开画,而海报的主打宣传还是:《我的野蛮女友》监督程晓羽最新作,首部登录日本的华夏动画片。 But the day, rarely sends beyond the work song Su Yu, sent long for the first time „song” «Memory On the wane» 而这一天,很少发工作之外细语的苏虞兮,第一次发了一篇长“细语”《凋零的记忆》 «Speed per second Five Centimeters» is journey Xiaoyu has an individual color work, this individual color thickly to letting me speculated that this is -and-a-half autobiographical works. 《秒速五厘米》是程晓羽极具个人色彩的一部作品,这种个人色彩已经浓厚到让我臆测这是一部半自传体作品。 This is the extremely realistic work that journey Xiaoyu draws, value that although praise or blame, whether there is actually may slander although. 这是程晓羽描画的极其现实的作品,尽管尽管毁誉参半,却有无可毁谤的价值。 In general, audience's dissatisfaction over this work, strongly in background and character type of immaterial part, and excessively hasty third words. If you are discontented with the background and character, can read the Japanese edition, the rigorousness of Japanese edition, will certainly be above your imagination. 一般说来,观众对这部作品的不满,集中在背景、人物这种无关紧要的部分,以及过分仓促的第三话。如果你对背景与人物不满,可以去看日本版本的,日本版本的严谨,一定会超乎你的想象。 However this discontented root actually surpassed the story. In my opinion, revealed the limitations of all beautiful things to " Speed per second Five Centimeters » suspicion. So only a beautiful style whether carrying/sustaining such realistic and brutal story, this probably regarding «Speed per second Five Centimeters» all sorts of true reasons of dispute. 不过这种不满的根源却超出了故事本身。在我看来,对《秒速五厘米》的怀疑揭示了一切美好事物的局限性。如此唯美的画风能否承载这样一个现实而残酷的故事,这大概是围绕着《秒速五厘米》的种种争议的真正缘由。 In an animation work, those who connect the style and plot is its narration pattern. But " Speed per second Five Centimeters » narration pattern attaches in the time. Therefore in my opinion, this work is only beautiful and brutal should belong to the time and space special characteristics. «Speed per second Five Centimeters» defines a space-and-time work perhaps also to arouse the disapproval, after all it laid out narrated the 13-year-old train and 16-year-old ocean waves, actually by few several all sorts of transformation narrations after actor adult in swiftly. 在一部动画作品里,连接画风与情节的是它的叙述模式。而《秒速五厘米》的叙述模式依附于时间的。所以在我看来,这部作品的唯美与残酷都应该归于时间与空间的特质。将《秒速五厘米》定义成一部时空性的作品也许也会引起非议,毕竟它铺陈地叙述了13岁的列车与16岁的海浪,却以寥寥数笔就将男主角成人后的种种蜕变叙述于倏忽之中。 Inspects a length of next three part and it carrying/sustaining story the length in of time, will discover, such assignment is not quite balanced. However, regarding the time not just physics measurement is the only criterion. To be more exact, the time in life not such as the science measurement of time „homogeneity”, but not repeats every time, cannot be equal. 考察一下三个部分的长度和它所承载的故事中的时间的长度,就会发现,这样的分配是极为不平衡的。然而,对于时间并非只有物理计量才是唯一尺度。更确切地说,生命中的时间并非如时间的科学计量般“同质”,而是每时每刻都毫无重复、不可等同。 Part 1, missing and pledge of young age, have not cooled because of the distance, actually over time and growth, but was gradually dim. So-called „sad little accumulation is about such feeling in each corner of room” saying has a type of thing to corrode your life slowly, you actually looked that it did not see, catches it not to live. 第一部分,孩提时代的思念和誓约,没有因为距离而冷却,却随着时间的流逝和成长而渐渐黯淡了。所谓“忧伤一点点积累在房间的各个角落”说的大约就是这样的感觉有种东西在慢慢侵蚀你的生命,你却看它不见,抓它不住。 The time and space, which is more fearful? 时间和空间,哪一个更可怕？ Has experienced the remote love person, everybody will ponder this issue. Separates our is the space, but the space can span with the time. From a city to another city, from a country to another country, wants on the flower from the point of Earth to another point rapidly 1 time and money, is not then difficult matter. 经历过异地恋的人,谁都会思考这个问题吧。隔开我们的是空间,但空间是可以用时间跨越的。从一个城市到另一个城市,从一个国家到另一个国家,从地球的这一个点飞越到另一个点只要花上一点时间和金钱,并不是那么困难的事情了。 In the movie touched this point I to call it „the space and time feeling of each ages” a child person to ride in a carriage from the bold de temple( situated in Tokyo) to the rock boat( Limuxian situated in Tokyo Northeast), felt incomparably remotely......, but in fact, if the normal speed, were counted while changing the time, 2 hours 40 minutes driving distances( in movie the plan of boy was two hours 59 minutes). Finally this strange journey, because the heavy snow and anxious thinking of become incomparable long, the joy that this deeply worried waiting and in final winter night meet, constituted in the movie warmest although in the winter. 影片中触及到了这一点我称之为“各个年龄段的时空感觉”小孩子一个人乘车从豪徳寺(位于东京)到岩舟(位于东京东北方向的枥木县),感觉无比遥远……而实际上,如果正常行驶,算上乘换时间,也不过2小时40分钟左右的车程(电影中男孩的计划是两小时59分)。最终这段陌生的旅程,因为大雪和急切的想念而变得无比之长,这段焦灼的等候和最终的冬夜中相见的喜悦,构成了影片中最温暖的一幕尽管是在冬天。 Therefore paid attention, the first words, journey Xiao the feather must tell us is „distance because of loving becomes very long, because of loving becomes very short.” 所以注意了,第一话,程晓羽要告诉我们的是“距离因为爱而变得很长,也因为爱而变得很短。” The second words „astronaut”. She who the structure of story was not equally worth saying to be loving him, but he does not know, she thinks he is loving another her, but actually he himself does not know oneself are loving as well as is hoping what was anything...... However what is worth pondering is the middle presents lines about spaceship „that is really the journey that is lonely is inconceivable in the true darkness, dashes to forward, meets...... wholeheartedly the secret that wants in the imminent that profound outer space to bury including a hydrogen atom rarely. We, where is to arrive at? Where can we arrive at?” 第二话“宇航员”。故事的构架同样没什么值得说的她爱着他,可是他不知道,她以为他爱着另一个她,但是其实他自己也不知道自己爱着以及想望着的是啥……。不过值得玩味的是中间出现的关于宇宙飞船的一段台词“那真的是一段孤独得难以想象的旅程在真正的黑暗中,一路飞奔向前,连一个氢原子都难得遇见……只是一心想要迫近那深邃的太空里埋藏的秘密。我们,是要去到哪里呢？我们又能去到哪里呢？” These words, are to „lonely fight” people annotated profoundly, filled to unknown vacant and was not self-confident. 这一段话,是对“孤独战斗”的人们最深刻的诠释,充满了对未知的茫然和不自信。 The actors said, „I complete on hand matter in one's power”, but in the innermost feelings, still did not determine in direction that oneself dash, is anything is waiting for itself. 男主角说,“我只是做好手边力所能及的事情”,但在内心里面,仍然不确定自己飞奔的方向上,是什么等着自己。 Section 3, finally chapter of «Speed per second Five Centimeters» short only has several minutes. If dodging, the song part rejects, almost can only be to a sketch of leads grown life. 第三节,最终章《秒速五厘米》短的只有几分钟。如果把闪回、歌曲部分剔除,几乎只能算是对主角们成年生活的一个速写了。 The boys returned to Tokyo, has had an ordinary love, became an ordinary programmer. In childhood thought that very remote Shinjuku Station, now also becomes day by day ordinary, did not think that had freshly any...... 男孩子回到了东京,有过一段普通的爱情,成了一个普通的程序员。小时候觉得很遥远的新宿车站,现在也变得日益普通,不觉得有任何新鲜……。 That she of past years also almost forgot herself, had the object of marriage, when turned looks for the things from a former age, but can also to the past immature love letter smile. The message that the first girlfriend sends in as if can become the portrayal of this city and time: „We sent 1000 messages, perhaps but the distance of mind only approached 1 centimeter......” 当年的那个她也几乎忘记了自己,有了结婚的对象,只有在翻找旧物的时候,还可以对当年稚嫩的情书微笑。前女友发来的短信似乎可以成为这个城市和时代的写照:“我们发了1000次短信,可心灵的距离恐怕只靠近了一厘米……” According to Bergson's view, time and life, with being immeasurable be continuous. Let alone screening of memory expanded the non-uniformity of time infinitely. In the theory of relativity of recollection, these are worth the moment of treasuring coming clearly into view because of the detail seem long, and because of reappears to be close repeatedly eternal. 按照柏格森的说法,时间与生命,同属于一种无可度量的绵延。更何况记忆的筛选将时间的异质性无限扩大了。在回忆的相对论里,那些值得珍视的须臾因细节历历在目而显得漫长,并因一再重现而更加接近永恒。 But these arid and tasteless, machinery redundant time, even if long, is very difficult to leave stationed in the nitpicking memory place. 而那些枯燥、乏味、机械重复的时间,纵然漫长,却很难在挑剔的记忆场所留驻。 But in journey Xiaoyu the story, the narrative pattern abided by the principle of this recollection. The flower petal, the passing bird and thick great wild goose snow, all sorts of detail feature articles, dive just like Proust style sinking, in died of old age beautiful springtime strongly is recalling the shoes marks of certain lives. However the name said Janus not just one face of space and time. While it is supplying such as the recollection of dream, for dream and recollection is shattered to lay down the type of industry. After all brutal of «Speed per second Five Centimeters» plot is also the product of time. 而在程晓羽的故事里,叙事模式遵循了这一回忆的原则。花瓣、逝鸟、霏霏鸿雪,种种细部特写,宛如一种普鲁斯特式的沉潜,在业已凋谢的韶华中竭力的挽回着某些生命的履迹。然而名曰时空的“亚努斯”并非只有一副面孔。在它供给着如梦的回忆的同时,也在为梦与回忆的破灭埋下业种。毕竟《秒速五厘米》情节的残酷性也是时间的产物。 „Is spanning the huge life and long time before us.” This lines in «Speed per second Five Centimeters» like „tobeornottobe”( destruction or death) in «Hamlet», have summarize the entire work underlying contradictory incisiveness and straightforwardness sufficiently. “在我们面前横亘着庞大的人生与漫长的时间。”这句台词之于《秒速五厘米》就像“tobeornottobe”(毁灭还是死亡)之于《哈姆莱特》,有着足以概括整部作品隐伏矛盾的尖锐与直白。 Thinks carefully this is the dreadful matter. Own life instead turns into the thing of hindrance life, but the time becomes in the time the life is unendurable. This is life own disassimilation. Like such that the third part of that stunning montages described, at first those who separated the leading actor and actress was only the distance, however alienated them truly indeed is the time. 仔细想想这是何等可怕的事情。自己人生反而变成阻碍人生之物,而时间本身把生活在时间中变得难以忍受。这是生命自身的异化。就像第三部分那段令人瞠目的蒙太奇所描述的那样,起初分隔男女主角的只是距离,然而真正疏远他们的确是时间。 The spatial mailbox with the message that never sends is the evidence of time. «Touches retime , one To trace the rehane nearly desperate lyrics along with one», a series of alone pictures were connected the alone life. 空信箱与从未发出的短信都是时间的罪证。伴随着《one摸retime,one摸rehane》近乎绝望的歌词,一系列孤寂的画面被连缀成孤寂的人生。 Except for that shy kiss, they never appear in the picture simultaneously. They in respective, only then in a scene of person looks for the opposite party, being shattered that however found. Such narration way like two speeding away trains, they are meeting somewhere, then brushed past. 除了那个青涩的吻,他们从未同时出现在画面里。他们在各自的只有一个人的场景中寻找对方,然而找到的只是破灭。这样的叙述方式就像两列疾驰的列车,它们在某处相遇,然后擦肩而过。 Is this Andre? Moluoya vault analogy has the analogy of modern and modern rhythm. Compels into the oriental cherry petal of window mullion is unique is aloof in the existence of time, it leading actor and actress belt/bring to street and recollection. They almost must in the railroad crossroad reunion. However the review glance several years later brutally was actually cut off by the train of flying. 这是一个比安德烈?莫洛亚的穹顶比喻更具现代性与现代节奏的类比。迫入窗棂的樱花瓣是绝无仅有的超然于时间的存在物,它把男女主角带向街道与回忆。他们几乎要在铁道路口重逢了。然而时隔多年的回眸一瞥却被飞逝的列车无情阻隔了。 Here, the train was allegorized, the token and Yu who body pick up at will, its referred to connecting by the life and time of disassimilation initially the actor, so as to train that went to and leading lady meets, now is actually cut off two people. Train fable symbol therefore such as life and time satire, and is brutal. But regarding this, we except for accepting and bearing patiently to smile, have no alternative. 在这里,列车被寓言化了,是随意拾得的象征物和喻体,它的所指连接着被异化的人生与时间当初男主角藉以去和女主角见面的列车,如今却阻隔着两个人。列车这一寓言符号因此如人生与时间般讽刺且残酷。而对此,我们除了接受并隐忍而笑,别无选择。 The above is only my to «Speed per second Five Centimeters» has a limited view of narrow-mindedly. However perhaps regarding this work, had a limited view of narrow-mindedly is enough. Because of «Speed per second Five Centimeters» it, is puts in the vast time the manages vertebra of individual viewpoint the product, and made clear to bidirectional of life from this. Our lives, contain exactly to their denied and destroys. 以上只是我对《秒速五厘米》的管窥锥指而已。然而对于这部作品,也许管窥锥指就已经足够了。因为《秒速五厘米》本身,即是将个人视点的管椎置于浩瀚时间的产物,并由此昭示了人生的双向度。我们的人生,恰恰包含着对自身的否定与摧毁。 Life while constructing certain things, is destroying certain things inevitably. This life process is so blind, was been unexpectedly more precious than by the thing of creation by the thing of destroying. 生活在构建某些东西的同时,也必然在摧毁某些东西。这一生命过程如此盲目,以至于被摧毁之物竟然比被创造之物更珍贵。 5 cms per second seems like this speed to be not quick, even is very it can be said that slow. 每秒5厘米似乎这个速度并不是很快,甚至可以说是很慢。 The speed of walk compares it to be fast. 步行的速度都比它要快。 But this speed, if maintained for 13 years. 可这个速度如果保持了13年呢。 Can calculate through this formula. 通过这个公式可以计算出来。 5 cm /s * 13 year * 365 day * 24 hours * 60 minutes * 60 seconds = kilometer. 5cm/s*13年天*24小时*60分钟*60秒=公里. Kilometer. This distance is to happen to detour the distance of Earth half-turn, is the distance of Antarctic and North Pole. 公里。这个距离正好是绕行地球半圈的距离,也就是南极和北极的距离。 This certainly is not the coincidence. 这一定不是巧合。 I am willing to become on the wane this kind of tragedy. Perhaps numerous brave clears can bear the fruit, who would rather withstand the so brutal price? Who can refuse the time to coronate and make all precious the death on the wane? 我愿意把这类悲剧成为凋零。也许繁英散尽才能结得果实,只是谁又情愿承受如此残酷的代价呢？只是谁又能拒绝时间把死亡加冕、让所有珍贵凋零呢？ After the flower of hope is on the wane , the fruit that forms, why did say „desperately”? 只是希望之花凋零后结成的果实,为什么却名曰“绝望”？ In the world nothing can be eternal. If it flows, will pass quietly, if it grows, it slowly will be on the wane. 世界上没有任何东西可以永恒。如果它流动,就会悄悄流逝,如果它生长,它就会慢慢凋零。 Only then recalls will never be on the wane, but the person cannot live forever during the recollection, will return to the reality finally, the reality is brutal, but the time will force you to go facing, compromise, then deliberately forces itself forgets 只有回忆永远不会凋零,可是人不能够永远活在回忆之中,终将回到现实,现实是残酷的,而时间会强迫你去面对、妥协,然后逼迫自己刻意的去遗忘 In the expensive/noble tree and clear(ly) met for the last time the meet of branch road junction, happen to was 13 years. 贵树和明里最后一次见面到岔道口的相遇,正好是13年。 Heart that two once dissolved, after 13 years, each other achieved on Earth the farthest distance. 两个曾经相溶的心,经过了13年的时间,彼此达到了地球上最远的距离. ( To be continued.) (未完待续。)