GGS :: Volume #9

#835: Talent

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At first sight, Su Jing picture thing everything in disorder, fragmentary, looks like big pile of trash simply. A while picture a while picture that moreover only draws part entirely, chaotic. However, carefully looks at Su Jing's to start to write, the people have to be surprised. 乍看,苏璟画的东西乱七八糟,零零碎碎,简直就像是一大堆垃圾。一会儿画这个一会儿画那个,而且统统只画一部分,杂乱无章。不过,仔细一看苏璟的落笔,众人不得不惊讶了。 Obviously saw very much, Su Jing deliberately does not go to some picture type of thing, but is studying various techniques. 很明显看出,苏璟不是刻意去画某种东西,而是在学习各种技法。 The technique of traditional Chinese painting, in fact can understand for Chinese painter utilizing the writing brush the method, also produces because of the writing brush with the pen and with black ink the technique, in In the middle of ink technique(s) contained the color technique. In the developing process of traditional Chinese painting, after especially to Yuan,( the involvement of writer painter), expressing feelings meaning of traditional Chinese painting is getting stronger and stronger. Traditional Chinese painting the meaning of words, is not the simple technique issue, but is the synonym of traditional Chinese painting. In the traditional Chinese painting words view, infiltrated the spirit of traditional Chinese painting. Makes a long story short, the writing technique of traditional Chinese painting, comprised of the point, line and surface, but the utilization of line is most important. Mexico and France, use the function of water, had the thick, pale, dry/does, wet, deep and shallow different change. Traditional Chinese painting the method of written line is called „with pen”, the traditional Chinese painting with the method of ink, is called „uses black ink”. Uses black ink with the pen, is broad and profound, comprehensive, can set aside many many types. 中国画的技法,实际上可以理解为中国画家运用毛笔的方法,也就是因毛笔而产生的用笔、用墨的技法,其中墨法中包含了色彩的技法。在中国画的发展过程中,特别是到了元以后(文人画家的介入),中国画的抒情意味越来越浓。中国画的笔墨的含义,已不是简单的技法问题,而是中国画的代名词。在中国画的笔墨观中,渗透了中国画的精神。简单说来,中国画的笔法,是由点、线、面组成,而线条的运用是最重要的。墨法,就是利用水的作用,产生了浓、淡、干、湿、深、浅不同的变化。中国画的书写线条的方法被称为“用笔”,中国画用水墨的方法,被称为“用墨”。无论是用笔还是用墨,都博大精深,包罗万象,可以划分出很多很多种。 For example with the pen, has a minute of center and oblique attack with the pen, the center must write straight with the pen, the tip in the middle of line, is even with the strength of pen, the tip is vertical to the paper surface, its effect is smooth. The oblique attack writes to roll with the pen, the tip in the edge of line, the tip and paper surface forms certain angle, makes an effort non-uniform, is sometimes quick, is sometimes slow, is sometimes light and is sometimes heavy, its effect wool and astringent change are rich. 比如用笔,有分中锋、侧锋用笔,中锋用笔要执笔端正,笔锋在墨线的中间,用笔的力量要均匀,笔锋垂直于纸面,其效果圆浑稳重。侧锋用笔执笔偏侧,笔锋在墨线的边缘,笔锋与纸面形成一定的角度,用力不均匀,时快、时慢、时轻、时重,其效果毛、涩变化丰富。 Also the minute Shun front and counter front with the pen, Shun front usually refer to the inclined direction of operation and penstock of tip are consistent, its effect is bright and clean and tall and straight. The counter front is the tip goes against the flow( opposite in other words the wielding the pen direction of custom), its effect dry and simple and artless. 又分顺锋、逆锋用笔,顺锋一般指笔锋的运行和笔杆的倾斜方向一致,其效果光洁、挺拔。逆锋是笔锋逆行(也就是说习惯的运笔方向相反),其效果干涩、稚拙。 Also the segregation front and powder front with the pen, gather the front to refer to the tip gathering together in the same place, assumes the sole tip. The loose front refers to tip dispersing, appears the multi- front shape( also saying that „blossoming pen”), its effect dry astringently and changes much. 又分聚锋、散锋用笔,聚锋是指笔锋拢在一起,呈单一笔锋。散锋则指笔锋散开,呈多锋状(又称“开花笔”),其效果枯涩而多变化。 Moreover, with the speed of pen, will have very tremendous effect on the picture, when with what writing technique, achieves what effect, ever changing, is only the basic skills, is broad and profound. 另外,用笔的快慢,也会对画面有很大的影响,什么时候用什么笔法,达成什么样的效果,千变万化,光是基本功,就博大精深。 Moreover with black ink, the traditional Chinese painting some black ink divided all colors to say in the ancient times, namely black, white, deep, light, dry and damp six effects. Method of black ink to manifest the rich change of drawing, „pen is the bone, black ink for the meat”. Therefore Mexico and France can be said as a method of water used. According to many of water, we are divided into the char, thick, strong, light, and clear five change steps. Because black ink has, old, Chen newly, changes, is divided into newly the black ink nature, burnt, sleeps and draws back, the Egyptian five idioplasms. As a result of black different processing, had the change images of different black ink, may be divided into, dry/does, sleek/moist, wet, to flowing five feelings dry. In the words, the writing technique emphasized the inner strength, but black ink emphasized „living” and „changes”. 另外用墨,中国画古代有墨分五彩之说,即黑、白、浓、淡、干、湿六种效果。墨的方法是为了体现绘画的丰富变化,“笔为骨,墨为肉”。所以墨法可以说是一种用水的方法。根据水的多少,我们分为焦、浓、重、淡、清五个变化阶梯。因为墨有新、旧、陈、变,又把墨质分为新、焦、宿、退、埃五种质。由于墨色的不同处理,产生了不同的墨的变化形象,可分为枯、干、润、湿、漓五种感觉。在笔墨中,笔法更强调内力,而墨讲求“活”和“变”。 With the law of black ink, the predecessor has lots of experiences, summarizes, mainly has seven laws: The dark ink law, pale Mexico and France, the highly concentrated almost waterless ink law and night/lodge Mexico and France, break Mexico and France and accumulated ink law and splashing ink law. Various Mexico and France, is ever changing. 用墨之法,前人有很多经验,总结起来,主要有七法:浓墨法、淡墨法、焦墨法、宿墨法、破墨法、积墨法、泼墨法。各种墨法,也是千变万化。 It can be said that the Chinese painting is very difficult to study, wants to cross the threshold is not easy. Studies one in these basic techniques, perhaps requires a lot of time, wants to learn completely, and achieves mastery through a comprehensive study, that may be difficult, perhaps studies two years, the progress is also limited. But Su Jing currently, various techniques, is using. Originally, just started to study, like this is corrupt quickly, perhaps anything also studies inadequately. But looks at Su Jing, he with the center, possibly has for the first time insufficient, but second using, gets better many, third using, the approach was perfect, later uses, actually does not pick up without exception conveniently. Other writing technique and Mexico and France, is so. 可以说,国画是很难学的,想要入门都不容易。学习这些基本技法中的一种,恐怕就需要不少时间,想要全部学会,并且融会贯通,那可就难上加难了,恐怕学个两年,进展也是有限。而苏璟现在,就是在将各种技法,都使用一遍。原本,刚刚开始学,就这样贪快,恐怕什么也学不成。可是看苏璟,他第一次用中锋,可能有所不足,可是第二次用,就变得好很多,第三次用,就趋近于完美了,之后再使用,竟然无一例外不是顺手拈来。其他笔法、墨法,也是如此。 In other words, Su Jing draws some disorderly things at first sight, however his various techniques, at the extremely terrifying speed, are rapidly adept, various very difficult techniques, he uses unexpectedly piece a cake. 也就是说,苏璟乍看画一些乱七八糟的东西,但是他的各种技法,正在以极其恐怖的速度,迅速娴熟起来,各种高难度技法,他用起来居然易如反掌。 „Oh, was my vertigo? Splashes ink, did he 2-3 learn splashing ink unexpectedly?” “天哪,是我眼花了吗？泼墨,他居然2-3学会了泼墨？” „We study various very difficult techniques of very much for a long time not being able to learn, he unexpectedly 2-3 on learned.” “我们学了很久都学不好的各种高难度技法,他居然2-3就学会了。” „Oh, looked at him just these half mountain of picture, this was the Chinese painting beginner draws?” “天哪,看他刚刚画的这半座山,这是国画初学者画的吗？” „He has not been the Chinese painting expert, plays the role of the pig to eat the tiger in this intentionally?” “他不会早就是国画高手,故意在这扮猪吃虎吧？” Many people on the scene, thought that Su Jing is not a beginner, but studied very long Chinese painting expert, plays the role of the pig to eat the tiger in this intentionally, pretends to study intentionally step by step, otherwise is impossible, in this world should not have study the Chinese painting to study the quick person. Otherwise, this simply was the evildoer/monstrous talent. 在场很多人,都觉得苏璟不是初学者,而是学了很久的国画高手,故意在这扮猪吃虎,故意装作在一步一步学习,要不然根本不可能啊,这世上应该不存在学国画学得这么快的人。要不然,这简直是妖孽了。 Cheng Shiyao and Zhu Yan look very surprisedly, Huang Jinghong knits the brows slightly, Su Jing is outstanding in other aspects , thinks that at least in Chinese painting, oneself has completely the advantage, is now, his self-confidence came under the enormous attack. No matter Su Jing is the learning capability goes against heaven's will, early is the Chinese painting expert, finally is a Su Jing's Chinese painting level minute of minute surpasses him. 程诗瑶、朱颜看得很是惊奇,黄京鸿则是微微皱了皱眉,苏璟在其他方面优秀,也就罢了,原以为至少在国画方面,自己是占尽优势的,可是现在,他的自信心受到了极大的打击。不管苏璟是学习能力逆天,还是老早就是国画高手,结果都是苏璟的国画水平分分钟超过他。 However, although Cheng Guyi shocks, but actually believes, Su Jing truly is a beginner, his each each picture, just consulted own issue in the confirmation, seems like a disorderly lump of picture, but has not actually wasted the least bit words. Cheng Guyi is excited, he knows that oneself met a talent, super talent, peerless rare talent. 不过,程谷义虽然震惊,但却相信,苏璟确实是初学者,他的每一笔每一画,都是在验证刚刚请教自己的问题,看似乱七八糟的一坨画,但其实没有浪费半点笔墨。程谷义心情激动,他知道自己遇到了一个天才,超级天才,绝世奇才。 Actually, really must say that Su Jing is the talent, is not overrated. Su Jing has the advantage that several big average people do not have, its one, he has been skilled in the character written with a writing brush, may be called the calligraphy Grandmaster, although the calligraphy cannot jumble together with the Chinese painting, but in the pen with black ink, has the things in common, a calligraphy Grandmaster, will be more adept than with black ink the average person with the pen are naturally many ; Second, the memory and power of thought far supernormal person, he can each technique each detail, remember clearly, starting writing time, will not have scruples this to forget that all aspects, he can want to be clear all of a sudden, obviously is the novice, but is the same like the expert, starts writing confidently ; Third, his physical fitness far supernormal person, clear-sighted, hand is steady and calm, wants to start writing one micron, that is one micron, much the half a point, this controlling force, not making him start to write the control to be free. Moreover, Su Jing or Spirit Reader Master, he can through spiritual force, a virtual structure chart come out, can make each each picture fine. 其实,真要说苏璟是天才,也不为过。苏璟有几大普通人不具备的优势,其一,他早已精通毛笔字,堪称书法大师,虽然书法跟国画不能混为一谈,但在用笔用墨上,是有共通之处的,一个书法大师,用笔用墨会比普通人娴熟自然多了;其二,记忆、思维能力远超常人,他能将每一种技法每一个细节,都记得清清楚楚,下笔的时候,不会顾忌这个忘了那个,所有的方方面面,他都能一下子想清楚,明明是新手,但却如同老手一样,下笔胸有成竹;其三,他的身体素质远超常人,眼明、手稳、心静,想要下笔一微米,那就是一微米,不会多出半分,这种控制力,让他落笔控制自如。另外,苏璟还是精神念师,他能通过精神力,虚拟构造一幅图出来,可以让每一笔每一画更加的精细。 Synthesizes the above points, making Su Jing study, achieves situation that the average person can not hold a candle. He is not only the drawing talent, almost places various trades and occupations, he is the talent in talent. 综合以上各点,让苏璟学习起来,达到普通人望尘莫及的地步。他不仅仅是绘画的天才,几乎放在各行各业,他都是天才中的天才。
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