Saw the barrage of Annan transmission, Delicious Wind Goose was startled. 看到安南发送的弹幕,美味风鹅怔了一下。 Afterward he responded quickly- 随后他很快就反应了过来- Yes, this indeed is very necessary. 是的,这的确是很必要的。 „This friend is very intelligent, had not been fettered by the inertia thought. Has me half was quick-witted.” “这位朋友很聪明啊,没有被惯性思维所束缚。有我一半的机智了。” Old Goose spoke thoughtlessly to praise one: „I had not just read the letter/believes, subconscious thinks that it was like the former God-Child content. But at present is a new environment, must confirm again the line......” 老鹅随口夸赞了一句:“我刚刚没有看信,是下意识的以为它与之前孩神的内容是一样的。但目前是一个新环境,的确是要再确认一下才行……” Saying, him was opening the envelope. 说着,他打开了信封。 In the envelope is still the fragment of Elle diary. 信封中依然是艾蕾日记的残片。 When conducts the back board preparation as usual, Delicious Wind Goose realized. 在照例进行背板准备的时候,美味风鹅就意识到了。 In this diary mentioned that „the Amos picture hangs on the wall, seems like the corpse of out of the window”, in fact is a psychological suggestion. 这篇日记中提到“阿莫斯的画挂在墙上,看起来像是窗外的尸体”,实际上就是一种心理暗示。 After Wandering Kid reads this letter/believes, then sees these corpses in hall again, can realize that „was the picture turned into corpse”. Because of the upholstery of this letter/believes, sense of fear because „had expected that” becomes more profound- or can the earliest possible time respond. 在流浪的孩子看完这封信之后,再回头看到大厅中的那些尸体,才能意识到“是画变成了尸体”。正是因为这封信的铺垫,恐惧感才会因为“有所预料”而变得更为深刻-或者说,能第一时间反应过来。 This is in the technique that many terrifying games and horror movies can use. 这是在很多恐怖游戏、恐怖电影都会使用的技法。 The makers some fragment information, will combine in the main information deliver to the audience, transfers the attention of user with curious, fear and other ways. 制作者会将一些碎片信息,混杂在主体信息中交予受众,用好奇、恐惧等方式去调动用户的注意力。 For example, „suddenly saw that bloodstain” audience will be tense ; But „saw person who the back or lowers the head” will want to know the upfront subconsciously ; Saw that „one group of people encircle, in the same place” will want to know that is anything ; After finding „shut tightly cabinet that”, enters „close space”, will want to know that in had anything. 比如说,“突然看到血迹”受众就会紧张起来;而“看到背影或者垂头的人”就会下意识的想要知道正面;看到“一群人围在一起”就会想要知道里面是什么东西;找到“紧闭的橱柜”、进入“封闭的空间”之后,就会想要知道里面到底有什么。 This principle has a simple application. 这个原理有一个简单的应用。 Long ago, online had been popular some scary old charts. Generally, is similar to that type of very long very long hanging bridge, but will draw will see an ugly face suddenly. 早些年间,网上曾经流行过一些吓人的老图。大致来说,类似于那种很长很长的吊桥、但拉到底就会突然看到一张鬼脸。 This is because when changes downward, transferred the curious feeling in person of subconscious. Therefore the talent can see ugly face realizes the terrifying instantaneously, rather than can respond that- without a doubt, the latter will dilute the sense of fear largely. 这是因为在往下翻动的时候,调动了人潜意识中的好奇感。所以人才能在看到鬼脸的瞬间意识到恐怖,而不是愣一下才能反应过来-毫无疑问,后者会大幅冲淡恐惧感。 After coming to the end then kills, kills since opening the door of new strange space is also likewise. Because fully transferred the curious feeling, can in the learning capability strongest, to the thing most sensitive condition, exposed contact these terrifying things. 在走到尽头之后的回头杀、进入新的陌生空间的开门杀也是同理。正是因为充分调动了好奇感,才能让人在学习能力最强、对事物最敏感的状态下,去暴露性的接触那些恐怖的东西。 Only the person of this letter/believes, can the clear realizing picture turn into the corpse the fear ; Also can, when the shadow changes, in the brain first appears „outside window some people”, rather than thinks that was the vertigo or misreads. 只有了这封信的人,才能清晰的意识到画变成尸体的恐惧;也才能在阴影发生变化的时候,脑中第一时间出现的“窗户外有人”,而不是以为是自己眼花了或是看错了。 Then the issue came. 那么问题就来了。 This letter/believes on fourth, normally is useless. 这封信在第四层,按说是毫无用处的。 It is possibly used to take away in the cabinet the key of that diary...... to look like in second, the knife is used to take away the key of tomato to be the same. 它可能是用来拿走橱柜中那本日记的钥匙……就像是第二层中,小刀是用来拿走番茄的钥匙一样。 If the tomato represented food and blood and knife representative cutting and death. Then the fragment of diary and diary, indicates certainly anything...... 如果番茄代表食物和血、小刀代表切割和死亡。那么日记和日记的残片,一定也预示着什么…… Not, not only that. 不、不仅如此。 If attains the knife in second, but without entering in the second nightmare...... but directly enters third, how can also? 如果在第二层中拿到小刀,但是没有进入第二层的噩梦中……而是直接进入第三层,又会怎样？ In the third strata time, in the hand holds the weapon. Perhaps then to Brother Sledgehammer cannot such disadvantage. 在第三层时,手上握有武器。那么或许对大锤哥就不会这么劣势了。 The luck good words, could repel his one time...... 运气好的话,或许能够借此击退他一次…… In the Delicious Wind Goose brain rotates fast, in the mouth muttered: 美味风鹅脑中飞快转动,口中喃喃道: „ Was............ “是了……是了…… „ If attains the clothes in the first strata time, the second strata time attains the knife. Then can place in the clothes the knife. After taking away the diary, a moment ago does not have words that proceeded hesitant and directly, can make Brother Sledgehammer appear in oneself directly behind. “如果在第一层时拿到衣服,第二层时拿到小刀。那么就可以把小刀放在衣服里。刚才拿走日记之后没有犹豫、直接往前走的话,就可以让大锤哥直接出现在自己身后。 „- At this time, he and Amos distance, was can definitely be wounded by the knife!” “-这个时候,他与阿莫斯的距离,是完全可以被小刀击伤的！” Delicious Wind Goose suddenly sees the light immediately. 美味风鹅顿时豁然开朗。 Annan also realized his meaning- 安南也意识到了他的意思- „......, I is completely so that's how it is clear.” “……原来如此,我完全明白了。” Annan muttered in a low voice: Reason that „ first does not have the nightmare , because in display case in first does not have the thing. 安南低声喃喃道:“第一层没有噩梦的原因,是因为第一层里的展示柜中没有东西。 „ On pin rail has clothes, is suggestion ‚also has group beside the nightmare’. Also is lost/carrying existence. “衣帽架上有个衣服,是暗示‘在噩梦之外还有路’。也就是负一层的存在。 „ In second display case is the tomato, the key is a knife. But the tomato after the knife cuts open, will flow out a lot of blood...... this to suggest these tramps were trapped because of food. Perhaps their fates...... pressed out the juice. That tongue in tomato, possibly refers to Amos having a glib tongue, traps the behavior that they were swindled deliberately. “第二层的展示柜中是番茄,钥匙是小刀。而番茄用小刀切开之后,会流出大量的血……这就暗示了那些流浪汉们因为食物而被诱骗而来。可能他们的下场……就是被榨成汁吧。西红柿中的那个舌头,可能就是指阿莫斯巧舌如簧,蓄意诱骗他们上当的行为。 „Then...... these were pressed the shadow under chandelier, possibly is these tramps.” “这么说来……那些被压在吊灯下的黑影,可能就是那些流浪汉。” Annan thinks in the Yiyi/one by one live broadcast, blood and black muddy flesh that in the basement proliferate everywhere. 安南想到了在一一的直播中,地下室中到处遍布的血与黑色的肉泥。 That absolutely is not a person of two people weight/quantity. 那绝对不是一人两人的分量。 But if said that all by the tramp who he deceives, was killed the later investment basement bloodletting...... that quantity to be similar. 但如果说所有被他骗来的流浪汉,都被杀死之后投入地下室放血的话……那个量就差不多了。 The finger of Annan is striking own thigh gently, the ray in eye is getting more and more bright: 安南的指头轻轻敲打着自己的大腿,眼中的光芒越来越亮: „However the third keyword, is the fragment of diary and diary. The diary was suggesting without doubt in the Elle diary points out ‚study room’ this essential information point, the fragment is implied ‚Bone Duke’ ritual. The fragment was torn down after the diary one page of actions...... were also indicate the ritual conclusion without doubt, Elle ‚eye’ and ‚hair’ seized result.” “而第三层的关键词,是日记与日记的残片。日记无疑是暗示着艾蕾日记中指出的‘书房’这个关键情报点,残片则是暗指‘骸骨公’的仪式。残片被从日记中撕下一页的举动……无疑也是预示着仪式结束之后,艾蕾的‘眼’和‘头发’被夺走的结局。” This instance core mechanism, is not other anything...... 这个副本的核心机制,不是别的什么…… Is that display case! 就是那个展示柜！ In display case has anything, represents the keyword of this nightmare is anything! 展示柜中有什么,就代表这层的噩梦的关键词是什么！ But what in display case should put? 而展示柜中原本应该放什么？ Picture!! 画！！ Thinks again, in second Jiu'er in illusion that falls into...... 再想想,在第二层中酒儿陷入的幻觉…… Therefore these small will instance, demonstrate for „Gallery: xxx”? 所以那些小副本,才会显示为“画廊：xxx”吗？ Because of them in fact, places in the illusion that the Amos work builds...... 因为他们实际上,是身处于阿莫斯的作品所营造的幻觉之中…… No, is not right. 不,不对。 The players act is Amos. 玩家们扮演的就是阿莫斯。 Therefore this should be in the illusion that Amos entered itself to make...... 所以这应该是阿莫斯进入了自己制造的幻觉之中…… Annan realized suddenly, oneself, players have the Silver Noble priests, neglected a key point. 安南突然意识到,自己、玩家们还有银爵的教士们,都忽略了的一个重点。 They as if subconscious...... gallery instance, finding at everywhere terrifying element, with that Brother Sledgehammer relation that chases down Amos in one. 他们似乎下意识的……将画廊这个副本中,随处可见的恐怖要素,与那个追杀阿莫斯的大锤哥联系在了一起。 But if...... 但假如…… The traps of these terrifying, with Brother Sledgehammer are not one group? 那些恐怖的陷阱,与大锤哥并非是一伙的呢？ If this layer by layer forever the gallery without limits...... is actually the fleeing from calamity method that Amos establish? 如果这一层一层永无止境的画廊……其实是阿莫斯自己设置的逃难手段呢？ This is not impossible. 这并非不可能。 In second, Jiu'er has demonstrated to Annan. Space of Amos to this building can control...... he who can build easily complex, distortion, disorderly construction structure at will. 在第二层中,酒儿就已经向安南展示过了。阿莫斯对这栋建筑物内的空间是可以随意掌控的……他可以轻而易举的营造出复杂的、扭曲的、凌乱的的建筑结构。 It is not able to confirm the positions of others. 只是无法确认其他人的位置而已。 Then, in the Annan brain suddenly had an idea. 那么,安南脑中突然有了一个想法。 Brother Sledgehammer when second pursues is pursuing is vanishing suddenly...... when third chasing down, has no way to pursue in the front door. 大锤哥在第二层的时候追着追着突然消失……在第三层追杀的时候,没法追进大门里。 This possibly is because, this complex, terrifying gallery. 这可能是因为,这个复杂的、恐怖的画廊。 Actually is helping Amos escape! 其实是在帮助阿莫斯逃生！